PRODUCTION // MAKING THE SET (NORMANDY)

Photo gallery from the fit up of the installation and set for the immersive audio experience in Bayeux. Great team work – thanks to Leslie Oschmann, Q-Ateliers, Ville de Bayeux, and Bayeux Libéré for transforming the Salle Toulouse-Lautrec.

VISUAL IDENTITY FOR UNICORNS, ALMOST

Nick Bell designed the visual identity for UNICORNS, ALMOST and we’re all absolutely delighted with the result. The background collages uses material from the Keith Douglas archive in Leeds University Library Special Collections. Gills Sans and Albertus  are both pre-WWII typefaces that Keith Douglas would have been familiar with. Albertus was used by the Ministry ofContinue reading “VISUAL IDENTITY FOR UNICORNS, ALMOST”

PRODUCTION // SET BUILDING I

Thanks to Whaleys of Bradford for supporting the production of Unicorns, almost. Here are some behind the scenes photos of the making of the tent-like structure that will be hung inside The Swan at Hay. Designed by Lucy Hall to take the audience from the streets of Hay-on-Wye to the world of Keith Douglas in Alexandria in 1944.Continue reading “PRODUCTION // SET BUILDING I”